Showing posts with label finished quilts. Show all posts
Showing posts with label finished quilts. Show all posts

Wednesday, June 17, 2015

#cityscapequilt

A couple months ago, my cousin asked if I would consider taking on a commission project.  Now, I generally don't sell my quilts (because, as Molli and Sam have so thoroughly and expertly explored, "We are $ew worth it.")  But being ever so optimistic about my newfound "free time" (read:  maternity leave), I enthusiastically accepted the challenge :: a skyline-inspired quilt in soft blues, greens, and creams for her best friend's mid-June baby boy.


True to form, I kicked off the chain piecing with a stack of 4" oakshott squares, churning out an array of monochromatic HSTs for the "sky" while I continued to mull over how it would all come together.  Until the mid-June baby turned out to be a mid-May addition, at which point I cleared the design wall and starting shaping out that #cityscapequilt sky.  Once I had found a happy medium (read: gradient), I started piecing some improv low volume buildings to fill in the blanks...


After a little rearranging, and some itty bitty baby building construction...


I was ready to bring it all together.


Quilt it.


And send it to its new home.  (Which, I'm told, was going to be inspired by this serene little Serena & Lily nursery.)


From what I hear, it's a big hit.  Which kind of makes my heart sing.  Loudly ;o)

Linking up with Amanda Jean for finish it up friday!

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Wednesday, March 25, 2015

painted leaf quilt no. 2 {#auctionforeleni}



A few weeks ago, I—along with the rest of the online quilting community—learned of Rachel of Stitched in Color's devastating news:  her daughter, Eleni, had been born with complications.  A turn of events sure to break any parent's heart.  Because when everything is said and done, little matters more than the health and happiness of our children.  

As if on cue, the instagram community rallied together with #flowersforeleni, followed shortly thereafter by #auctionforeleni.  Wanting to do something for the Hausers, I turned to a recent colorway inspired by a painted fish (yes, more paint!) we picked up in my dad's hometown and a surprisingly complementary pack of Karen Lewis Textile *tiny* scraps:



After making a few tweaks to the original painted leaf design, I got to work with my new color palette, adding a handful of liberty lawns to fill in the gaps.



For the background, I once again turned to the quieter side of my stash.  I then straight-line quilted it just in time for last weekend's auction.



Truth be told, I don't know that I'll ever tire of the scrappy, low volume look.  But maybe that's because I'm currently surrounded by it...



(Those are my oakshott and low volume "inside addition" blocks, which are patiently waiting in line to be pieced into a top.  More on that later.)  

Overall the auction raised over $12,600 for the Hausers.  $12,618.08, to be exact.  How amazing is that?  (And of course a massive personal shout out to Rachel for contributing $150 for this mini!)  And in other news, who knew that quilted minis could stick to a design wall?  Not me!  But maybe that's because I've only had said design wall going on two weeks now.  ;o)  Wonder what else I'll learn?

For all you tiny piecing dare devils out there, the Painted Leaf pattern is now available on craftsy (here) and etsy (here).

Tuesday, March 17, 2015

succulent path {succulents blog hop and GIVEAWAY!}

***Edited to add:  If you're having difficulty accessing the free pattern for this quilt, try saving the file to your computer.  For some reason on certain browsers it looks as though the pattern is missing several pages, but this doesn't seem to be an issue once you download the PDF.***

Ohhh Succulent Path.  Sweet.  Succulent.  Path.

photo credit:  Eric Lubrick

I designed this quilt—free pattern here!—last fall for my dear friend Heather Givans of Crimson Tate.  Who designed her splendidly cheerful collection, Succulents, for Windham Fabrics.

For those of you who don't know Heather—wait, what?! Someone doesn't know Heather?!—she's an absolute joy to be around.  Her jovial personality—much like her infamous eyes-wide-mouth-open-and-let's-not-forget-the-glasses instagram selfies—is infectious.  We were first introduced by Amanda of Material Girl Quilts the year before last.  From the get-go, she was warm, welcoming, and fully committed to fostering creativity in our local community.
 
photo credit:  Eric Lubrick

And on top of that, she's a true artist.  So when she asked if we had any interest in designing projects featuring Succulents last fall, I immediately got to work.  I knew I wanted to capture the lightheartedness and whimsy that is Crimson Tate.  Now if you've been around here before you've likely realized that I'm all about paper piecing (paper piece all the things!).  But I also have a soft spot for historic design, and ultimately kept coming back to a traditional block that—though unassuming at first glance—turns into something spectacular with a simple repeat.  And in that spirit, Succulent Path came to be ;o)


This is Heather's first collection.  (The first of many, I hope.)  And this quilt—it boasts some firsts for me, too.  The first time I'd sewn exclusively with one fabric line.  (One that I had the privilege of seeing "behind the scenes," so to speak, as Heather's concept went from paper to strike offs to bolts.)

It's also the first time I asked for help to meet a deadline.  (And got it.  Major shout out to Meghan for your help with piecing the blocksyou are incredible.)  


The block is inspired by a vintage one, "Grandma's Fan."
This shot of the top really captures how the block's on-point repeat comes together to form the "path."

And the first time any of my work has been quilted by someone else (...Angela Walters, of all people!)


To me, all this creativity and collaboration really captures a thriving sense of community.  Succulent Path doesn't feel like "my quilt."  It feels like "our quilt."  As they say, it takes a village.  I'm happy and honored to be a member of said bustling village.


Plus it's the first quilt that's made it to Market.  (A pretty stellar cherry on top.)

photo credit:  Eric Lubrick

Now, if you're wanting to get your hands on some Succulents, now is your chance!  The folks at Windham will be giving away FQ bundles at every stop of the Succulents Blog Hop.  All of them!  Here's the line up...

March 15: Heather Givans of Crimson Tate
March 16: Eric Lubrick of Eric Lubrick Photography
March 17: Sarah Sharp of {no} hats quiltsyou are here ;o)
March 18: Lindsay Lefevere of ellesquare
March 19: Karen McTavish of McTavish Quilting Studio
March 20: David Barnhouse of Crimson Tate
March 21: Meghan Eschbaugh of Calvin and Carolyn
March 22: Brooke Starnes
March 23: Matthew Wheeler of Kapa Quilts
March 24: Samantha Howard of Bobaloo Kids 
March 25: Amy Garro of 13 spools
March 26: Amanda Castor of Material Girl Quilts 
March 27: Heather Jones of Heather Jones Studio  
March 28: Heather Givans of Crimson Tate 

How do you win, you ask?  Just follow along over the next two weeks, peruse the projects and comment on the posts.  That's it!  Win win.  Speaking of, winners will be drawn at random at the end of the hop.

So to get started, leave a comment on this post.  Want to double your odds from the get go?  Head on over to Windham's blog and leave a comment there too.  Cat got your tongue?  I want to know what you'd make with this line!

photo credit:  Eric Lubrick

If you're local, I'll be teaching this design later this spring at Crimson Tate, so keep an eye on the class calendar.  And for everyone else, you can find this design (and many more!) in the free projects section of Windham's site.  I opted for scrappy blues and greens against a neutral backdrop, but you can easily mix up the color placement to create a path all your own ;o)

Happy hopping!

Monday, February 2, 2015

catching dreams by sunrise {black & white}


Last fallwhen it felt like all my quilting friends were at Market and I was living vicariously through them on IGa very surprising (and welcome!) comment came through on my feed, from none other than Robert Kaufman fabric designer Jennifer Sampou herself... (The anticipation!)  So when she emailed later asking if I would join in on the Insta Blog Hop to celebrate the arrival of her latest line, black & white, I didn't think twice.


From the start I knew I wanted to do something with feathers (consider it an ode to one of her signature prints in the collection).  Initially I was going to stitch up (and drafted patterns for) over half a dozen different "painted" feathers, but when it came time to decide on a layout, nothing seemed right.  Until I stumbled upon a light and airy dreamcatcher while looking for nursery inspiration...  (Lightbulb!)


I quickly got to work merging all my sketches in photoshop and ultimately came up with this...


A subdued, crib-sized dreamcatcher dripping with five brightly painted feathers.  Most of the quilt is pieced with black & white fabrics (and coordinating Studio Stash Yarn Dyes) in the "ash" color story.  To add some dawn-inspired splashes of color, I used a range of blazing shades from the kona sunrise charm pack.  (The pack itself also has a great selection of pinks and greens, but I went with the more heated hues to play off the sun rays in the design.)


For the quilting, I was going to stick with what I know best (straight lines along the "rays"), but when I asked my friend Amanda of Material Girl Quilts for a second opinion she suggested I venture outside my comfort zone and try a little free motion quilting.


..I mean I'm no Angela Walters, but e for effort, right? ;o)  For the binding, I used one of Jennifer's Studio Stash Yarn Dyes, with a little fiery gradient from the kona sunrise charm pack for another added pop of color.


And that's that!  Thank you so much to Jennifer and the wonderful folks at Robert Kaufman for the invite and the beautiful fabric.  And lucky for you all, they've also provided this little "taquito" pack for me to give away here...


C'mon, how cute is that?  Just leave a comment on this post for a chance to win.  I'll pick a winner next Monday, February 9th.  Congratulations to commenter no. 9/127, Anita!


In the meantime, there are other great ways to win too!  Jennifer will be giving away a fat quarter tower of the complete collection (just head over to her opening post before February 8th), plus a taquito pack and a copy of one of her new patterns over on IG (just post your own black & white project—or a favorite from the hop!—and tag it with #blackandwhitefabrics and #jennifersampou).  

And of course you can visit all the other stops on the hop for more inspiration and extra chances to win, too!

January 31 Angela Pingel
February 2 Sarah Sharp - {no} hats in the house << you are here :o) >>
February 7 Jennifer Sampou

Thanks for stopping by :o)

Thursday, July 17, 2014

slacking {...and swapping}

Oh hello there ;o)

So... where've I been the past month and a half?  According to the archives, not here.  (Oops!)  And not really at the sewing machine (I only wish I were cool enough to have that many secret projects going on).  No no, instead I've been preoccupied with work (the non-sewing kind), closing on our house, and spending some much-needed time with the fam'.  So not too shabby, really :)

But I have had a few snippets of time to catch up on some sewing.  Namely, my Schnitzel & Boo mini swap!


So I had Shannon (@piecefulkwilter) and I was smitten as soon as I saw the questionnaire:

Jewel tones.  Low volume.


Plaids.  Stripes.  Dots.  Scrappy.


Bright.  Bold.  Graphic.


And of course I couldn't resist adding some more feedsacks and earthy oakshott to the back.  Plus a sharpie label.  Boom.  Done.  :)


Of course the upside to parting with this little quilt was knowing it was always destined for such a deserving (and appreciative!) recipient.  Because at the end of the day, it's the giving away that fuels most of the making in this house :o)

Sunday, May 18, 2014

BQF: marley of the sea {scrappy}

My second entry into the Spring 2014 Blogger's Quilt Festival (scrappy category) has certainly gotten less face time than the first.  But it's still one of my favorites.


This quiltMarley of the Seawas my first design as "quilter" for my do.Good circle (Believe).  For starters, I have to say I can't really take credit for the quilt as the majority of the blocks were stitched by my incredible beemates.  So right off the bat, shout out to the (old) group, who channeled their "inner Cath of Wombat Quilts" (my most telling request) with great success:  Allison, Ben, Big Mama Quilts, Debora, Lisa, Nicole, Tara, and Vanessa.


Now, back to the quilt.  Per usual, my first course of action as the 6" blocks came in was to sort by (background) value:  light gray, medium gray, dark gray.  As the three little stacks grew, I cut a few more blocks to even them off and then started to think about layout.

Julie's original Marley ("Three Little Birds") block

I originally intended to use Julie of 627handwork's exact block layout, but with 20-some odd blocks together there was a little too much chaos with the directional change alongside the haphazardly distributed blues (hard as I tried, in the end I was only able to color sort by one of the two block colors—the blues lost out).


But rather than abandon the layout entirely and start from scratch, I quickly turned the blocks so they all faced the same direction.  Just to see how it looked. And prestochaos contained.  So I stitched the top together, straightline quilted it with Aurifil 2021 and then snapped these wintry shots.


The only thing left to do—aside from dusting off the snow :o)was to stitch in a label and send it off to My Very Own Blanket in Ohio.  And I'm happy to report that that's the last time I'll be shipping a blanket to the organization, because yours truly has volunteered to be the the local (Indianapolis) coordinator.  Which means that all future do.Good and #opgivewarmth quilts that come out of this house only require a quick car ride to reach equally deserving foster children in our local community.


Thanks again for stopping by, and I hope you have (or have had) time to peruse the other quilts "hanging" in the show :)


Friday, May 16, 2014

BQF: liberty and justice and whatnot {roygbiv}

As I'm at a real risk of oversharing this one (...again), I'll try to keep this post brief. 


My first entry into the Spring 2014 Blogger's Quilt Festival? "Liberty (of London) and Justice for All."


For reasons that are likely already apparent to my followers, I'm entering this quilt in the ROYGBIV category. 


And for those of you who are new around these parts, I've assembled a compilation of sorts with you in mind :) 

You can find out more about my process in these (teaser) posts:
*something old...
*something new.
*something borrowed... (which, incidentally, didn't make the cut for the DWR challenge quilt)
*something hued.


...And then there's the post-finish hooplah:
*liberty (of london) and justice for all (if you click through only one of these links, make it THIS one)
*oh dear, what to do with these diamond wedding ring remnants? (asked and answered:  the king version is back in play and in the works!)
*...no way.
*...in modern patchwork(!)


And that's not even counting my experimentation in tiny piecing last summer...  (See why I'm reluctant to get into too much detail here?!)
*diamond dresden
*tiny-ness take tw:  round vs. square? (spoiler alert:  "round" wins)

And that (I think/hope!) just about does it.  Thanks for stopping by, and please take a look around the other categories in the show!
 

While you're off doing that, I'll be trying to decide which one to enter next :o)  ScrappyOriginal designMini?  Help!

Wednesday, April 30, 2014

pinwheel? :: {modern traditional} dsst challenge

I couldn't help but smile to myself when I saw the title of this challenge.  Not because there's anything particularly amusing about minis, dear stella, or sew timeless.  But rather because the term "modern traditional" has drawn quite a bit of, er, commentary from the online quilting community of late.  There are those who subscribe to the notion that modernism and traditionalism can coexist, and many others who—after their own careful thought and consideration—have opted to reject the term altogether (there's likely a facebook contingency for both, too, I just use that platform so infrequently I'm not even sure how or where to direct your attention).


So against that backdrop, I submit this quilt—"pinwheel?"—as my interpretation of modern traditionalism.  What's with the name?  I designed the block so that, depending on how you look at it, the design takes on a variety of personas.  A pinwheel.  Square in square.  A pinwheel again? Or is it a medallion.  Yes, it's a medallion. ...Oh wait, is it just one big pinwheel?


To me, that's what modern traditionalism is all about.  It's taking something as time-tested and classic as the pinwheel—a block that's been around since the late 1700s—and presenting it in a way that feels like something we've never seen before.  Yet have.  All at once.


Traditional and modern.  All cozied up in a 20" square and getting friendly with one another.


...And possibly feeling a bit cramped.  ;o)